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Until We're Each Someone Else

by STUCK OUT HERE

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1.
In the age of self diagnosis We were so liberal with our doses Self important and indignant Crashing cars our dads taught us to drive in In the time between degrees and employment We were in no hurry for its procurement Were told, "Be a part of something" More than this job I hate More than this debt that won't go away And so I made myself scum To make myself someone Who's experienced every failing And could then explain oblivion And it's been gnawing on my brain If you knew what I knew when it started It never would've started If you knew that you never should've bothered You never would've bothered In this world that's constantly changing If you're not improving, you're fading fast That's all I wanted to do Then I met you So if you think you're too drunk to call me I'm probably too drunk to fall asleep And when you're in that state Do you hate me? Do you blame me? Now I'm switching to light beer To make my twelve beer affairs A slightly smaller ordeal
2.
I'm getting flashbacks to prom Out in Chad Van Dyke's bush Oh, weren't we all once that young Before the clock hands took what they took Now my palms grip 'round the threads Of that still-born drunk dream But you're way past that now Except that you're still stuck with me It must be hard to watch the ones you love fuck up for fun but it's worth it I said it must be hard to watch the ones you love fuck up for fun but it's worth it I'm sorry I embarrass you I want to change I'm in a room with your mom After a Christmas parade I'm burnt-out and staggered Occupying some out-of-mind space And I'm a big disappointment Well, that's only half true Half of me is a party And the other half's letting down you It must be hard to watch the ones you love fuck up for fun but it's worth it I said it must be hard to watch the ones you love fuck up for fun but it's worth it Yeah it's worth it I'm sorry I embarrass you I want to change
3.
I’ve been panicked, I’ve been frantic Trying to prove I’m not static I’ve been shaking, I’ve been quaking Need to slow down my breathing So if I get lost on the way home tonight It’s ‘cause I want to And it’s got nothing to do with you I’ve been crying, I’ve been bleeding Just to prove I’m not dying And that there’s an organ inside me Still fulfilling its function So if I cut all my hair off It’s ‘cause I want to And it’s got nothing to do with you You call me up all white girl drunk And I pick up all white boy high And our dispositions make for lousy conversation So we both decide to say goodbye But every time you look With those sad brown eyes at me It’s like 1000 sharpened scalpels Cut to the very core of me As if to say, “This ain’t so bad I see you, and I don’t mind you If you don’t mind yourself” You call me up all white girl drunk And I pick up all white boy high And you see through me And I got too high, I don’t why I get so high So we both decide to say goodbye
4.
You said, "I swear I'm there I'll go 'til you go" And I don't care, but you wouldn't dare If you knew what I know You said, "I'm just south of Queen St. Watching high-heeled girls dry heave That's been me Nights like these I wish that was me" Then you said, "Meet me at the bar with the bar rail deals And for around 30 bucks we can forget ourselves And after a few more rounds pretend that we're each someone else Like if you'll be my Gatsby, I'll be your Daisy" At the end of the night you said, "This ain't the end of the night" You said, "Put me in a cab, drive me around" Looked up with your sad brown eyes and said, "I want to see your place See what disgrace you live in" You looked at my house, at my bookshelf And laughed at my lame literary self And you said, "Meet me underneath your bedsheets For around an hour and a half we can act like we aren't lonely Then after you fall asleep I can disappear into the streets Just like you're my Gatsby, and I'm your Daisy If you'll be my Gatsby, I'll be your Daisy If you let me, I could be the death of you And you can end up hating me Use me in one of your stories To justify to yourself Why you had to go through such hell And you can put me up on your bookshelf" You said, "I think you think you're just as reckless as me And that I'm everything that you need" You said, "I think you're just as pathetic as me And everything that I need" And I said, "I'll be your Gatsby if you'll be my Daisy I'll let you be the death of me"
5.
This was supposed to be the summer That they write pop songs about Halcyon days and Ray-Ban shades No sky has known a cloud But it rained And it poured And I was not equipped to face the storm And I know or I should have known This wasn't my puddle to drown in I should have given you the space To mull and wade around in But I stuck out my hand When you weren't ready to stand I can't be there for you The way you want me to Can I be there for you for me? I loved you when I left you When you needed me the most I wanted you inside me But you wouldn't let me close You were too weak to take the wheel So I wouldn't let you man it But what you won't let me live down is When you suffered's when I panicked But could I ever admit it? I never wanted to neglect you In fact it could have been the opposite I only wanted to protect you I wanted to give you all of me How's that not what you need? I can't be there for you The way you want me to Can I be there for you for me? Just say "you're right, I can't understand" I can't be there for you The way you want me to Can I be there for you for me?
6.
Hangover Sex 04:08
That spring you finished your degree And mine was still incomplete You moved into that house on Bathurst St. And I moved in with my parents I said, "Don't worry, I'll make the journey Up Hwy 8 to the 401, down the 427 To the Gardiner Expressway I'll make it every seven days" Those weekends spent in the backyard Under a sky with no stars And you drank wine, and I drank rye I said, "Someday I'll take you away from this Someday we won't be so helpless Someday I'll fly you to Paris And you'll drink wine, and I'll drink rye" But every Sunday you'd start to cry Said, "Don't leave me in this city I'm so lonely, I know nobody" I'd wipe the hair out of your eyes Smile and tell you a bunch of lies Of how September would be better But now I'm in Toronto And my degree's still incomplete I can't afford to eat I can't buy you wine, can't afford rye But every time it starts raining I remember dancing with you to Bobcaygeon And when I think back on those days I remember your summer skin colour Your sun squint smile Your long blond hair Rolling down your shoulder And I say, "Someday I'll take you away from this Someday we won't be so helpless Someday I'll finish college And you'll drink wine, and I'll drink rye"
7.
Sweet Fade 02:37
Hey baby I'm in pieces I'm a pop cliché I'm fibreglass, I'm smashed I'm human waste I've been staying in on weekends I've been sleeping late I've been learning how to love fading away Fading away Hey baby I am speechless No words to spray I am stunned beyond belief I'm shit for brains I've been sinking into nothing And it feels okay I've been learning how to love fading away Fading away Hey baby I am blankness I'm a sunless day I am void of girth and ghost I'm empty space I am colourless and tasteless I have no face I have finally learned to love fading away Fading away
8.
Bore Me 03:43
I used to be so cute when I got drunk And you were so smug To have me on your arm We'd get kicked out at last call Crawl home to pass out We'd wake up making out We were covered in cum and sex and sweat We kissed like it was something that we might miss And I said, "When it's time for us to go Let's explode like stars into the cosmos" And you said, "Hold on" I asked for how long 'Cause you don't like me anymore You abhor me You said, "Hold on" I asked for how long 'Cause I don't like you anymore You bore me You're covering up your bad tattoos With new tattoos, you hide those too Under business suits I work 'til close at the bar At last call I pour a tall glass You don't think I'm cute when I get drunk You think I'm a slut So I keep you out of it Stumble home alone to pass out I wake up to your shouts That I threw up And I am covered in sweat and my own puke Okay yeah I know, I disgust you And I know we don't explode We burn out like a smoke tossed out the window There was a time that I was pretty There was a time that you were charming There was a time your lips weren't so far away from mine
9.
Tearaways 01:26
Immense cement in tearaway pants Helmet's fixed in, spokes spun and spin Around the block and back again Cut through the funeral home Bend backwards when I think of them Discovering a shaking kid Near Fleming's Field where he once lived Not near the funeral home
10.
Two bottles of Saint and Sinners wine I missed the train, but hey, ain't that divine This guy Joe's got his truck, he's right on time A can of Busch in the console at his side Picked up Melissa at some bar on Dundas Street Went to the Cameron and you drank too much it seemed Could have been all that dingy alley weed Didn't notice when you got up to leave Held back your hair Dropped you off at your porch and left you there I know it stings but if only you could see That when you met me I wasn't who I seemed Barely conscious and dancing lucidly To some cover band killing Bruce Springsteen You said you never were this way with other guys But I was manic and didn't mind the lie Your friend was put off, well maybe she was right Maybe she saw the madness in my eyes What you might not know A couple weeks after we made out at that show I thought you were an angel I could talk to in the shower Covering myself in soap under the hospital cameras Posing in the raw like an ancient God I thought I was God, I really thought I was God And how you probably liked the confidence I emitted Or how I kissed you on the floor in the Horseshoe's basement I thought you were a shapeshifter, I was totally lifted Saw a million women in you every time we connected You were a phantom, were a spirit, I was holy high And I fell asleep beneath you buried in your thighs You blew smoke rings in your bedroom from a wooden pipe I drifted off completely, I was holy high I was bushed, I was batty, in a different place I was convinced I was cemented in a sacred space But when the medicine kicked in, it cut the light from my face And we haven't spoken since So if you hear this, I hope you understand I was a very ill and very disturbed man The time we had was a farce, a sleight of hand Dancing wildly to that Springsteen cover band But if there's parts of you that years later still ache Just know that though you made me wild, I still was safe I hope that now you're in a better place In a better place, in a better place like I am
11.
Robin Tunney 04:53
You used to remind me of Robin Tunney In some mid-90s teen rom-com movie You were so beautiful when you got desperate I wanted to be that reckless Instead I ended up pathetic And you said, "Fake it 'til you make it baby Oh, I'm just one big phony You're happy enough when you're happy enough Are you happy enough? Are you happy enough?" This Canadian Hwy is too long It's a day long bus just to get to you Another day trip for us to get anywhere cool So how about a late night? How about a long ride? We'll pack a few tall boys It's not like either of us gotta drive back home How about we spend the night In a coin operated motel Pool our dimes for a wish in the wishing well And we'll say, "Fake it 'til you make it baby" We're both just a couple of phonies You're happy enough when you're happy enough Are we happy enough to be happy enough? Fake it 'til you make it baby You could be my Robin Tunney Would that be enough? Would that be enough? Nothing lasts, everything lingers That night I told you I loved you And it wasn't a lie, no, not at the time And you said, "I don't mind you" And it wasn't a lie Nothing lasts, everything lingers

about

Until We’re Each Someone Else, the third release from Toronto-based indie-punk stalwarts Stuck Out Here, is a record occupied by the transience of identity and the shifting sense of self that blossoms as your twenties begin to enter the eternal rearview of your shitty post-modern life. Between songs that explore relationship malaise, prolonged adolescence, the romanticism of recklessness, and the collective cost on your mental and emotional equilibrium, the band navigate what could be tired terrain with abrasively self-lacerating abandon and a scrappy poet’s sense of literary ambition. If Getting Used to Feeling Like Shit, their 2014 release, dealt with their reluctant acceptance of adulthood, Until We’re Each Someone Else comes to terms with the people they have now become.

Co-frontmen and principal songwriters Cam Laurie and Ivan Raczycki bring their writerly instincts to eleven songs informed by regret, remorse, lethargy, and loss. With the help of bassist Emmett O’Reilly and drummer Pat Armstrong, the band create stirring, anthemic, pop-imbued rock and roll resilience. Is it a sad record? Almost brutally so, but goddammit, it’s not defeatist. In “Hangover Sex”, Laurie promises salvation for his burgeoning young love (“one day I’ll take you away from this / one day we won’t be so helpless”), wherein “Embarrass You”, Raczycki repeatedly apologizes for his brutish buffoonery and admits, “I want to change.” They’re fucking up, but unlike previous releases, they’re finally holding themselves accountable.

It’s because in the process of crafting this album, a lot of changes have happened to the band. They’ve all left school, maintained and exited long-term relationships, and attempted to enter the so-called professional world, all while holding a candle for their silly beloved punk rock enterprise. The most severe change, however, came in 2014. After releasing Getting Used to Feeling Like Shit and during its ensuing tour cycle, Raczycki experienced his first hypomanic episode, resulting in multiple hospitalizations, extended periods of psychosis, and a diagnosis of bipolar 1 disorder. During his recovery, the band soldiered on, and came together with a fresh batch of songs put to tape with longtime producer Siegfried Meier in the summer of 2016. That fall, Raczycki’s illness returned.

“Saint and Sinners Wine” tackles his episodes head-on, centering around a relationship Raczycki maintained while manic. The lyrics are laid bare. “I thought you were an angel I could talk to in the shower / covering myself in soap under the hospital’s cameras” he sings, as the band kicks in to help him scream “I thought I was God / I really thought I was God.” Elsewhere, on “Sweet Fade”, Raczycki deals with the resulting extended period of depression that accompanies a manic episode. “I’ve been sinking into nothing / and it feels okay / I’ve been learning how to love fading away.”

These are heavy revelations on their own, and as counterpoint, Laurie doesn’t slouch. Throughout the record, Laurie explores the expectations and ennui of romantic entanglement with dire emotional frankness, whether it’s the fatalist resolve in “Never Should’ve Bothered” (“If you knew what I knew when it started / It never would’ve started”), the doomed love portrayed in “Bore Me” (“You say hold on/I ask for how long?”), or the rallying cry of “nothing lasts / everything lingers” in triumphant album closer “Robin Tunney”.

Together, Laurie and Raczycki make impassioned rock raconteurs, their tales vividly and emphatically actualized by O’Reilly’s burning harmonies and Armstrong’s fervent drum histrionics. Musically, the record exists somewhere amongst the pantheon of modern pop-punk classics like Joyce Manor’s Never Hungover Again, Japandroids’ Celebration Rock, and The Menzingers’ On the Impossible Past, with the creeping influence and affectations of a young Conor Oberst or Paul Westerberg.

Until We’re Each Someone Else is the perfect salve for listeners looking for emotional integrity and euphoric catharsis, an album of unrelenting truth and obstreperous beauty. See you in the pit, shaking and crying

credits

released May 31, 2019

Stuck Out Here is Cam Laurie, Pat Armstrong, Ivan Raczycki, and Emmett O’Reilly

All Songs Written by Stuck Out Here
Except 1, 4, and 11 by Stuck Out Here and Derek Perry

Produced, Engineered, Mixed, and Mastered by Siegfried Meier at Beach Road Studios
Executive Production by Derek Perry
Additional Vocals by Sam Bielanski, Engineered by Doug Nahrgang
Album Layout by Devan Power
Cover Photo by Yoshi Cooper

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STUCK OUT HERE Toronto, Ontario

We sing party angst anthems.

For bookings: stuckouthere AT gmail DOT com.

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